MuDJoB 66: Students' Writing

Open publication

6:52 (short fiction from Six Sentences)

Open publication

2009 Story Roundup

The Last Time
Screenplay
Cosmic Rays
Flash Heart
Puppet
The Sequel
Wicked
Empty
Untied
The Setting Sun
Performance
Wife and Spouse Read NY Times

I, Splotchy: Story Virus v5

I, Splotchy: Story Virus v5
Lost in the Bozone: Another Meme
Cormac Writes: Splotchy Story Virus v5

Story Virus v5

This is basically a series of flash stories. I was tagged by my good friend the writer CJT on her wordvamp blog to help continue a project with some great writers, and given the list of previous posts so I could bring it forward. I will add to the story, then tag more people for them to keep it moving. It has gotten interesting, and I hope my taggees can find some time to help it along.
The chain begins here:
I, Spotchy
Then continues at:
Cormac Writes
Then:
Lost in the BoZone
Then:
David Barber’s Fiction World
Then:
Writing The Hard Way
Then:
Not From Here, Are You
Then:
I Can’t Believe It’s Not Better!
And finally:
CJT's wordvamp, before coming to me.

Here is my addition to the story:

---

The Team, comprising Dasher, Dancer, Prancer, Vixen, Comet, Cupid, Donder, and Blitzen, or Rudolph's Boys for short, were sitting, red-nosed and bleary-eyed, round a flattened tree stump that served as a card table. There were empty booze bottles lying all over the place, and bowls that might have once held snacks, but now were overflowing with upchuck sat uninvitingly to the side.
"Kris ain't here," said Donder. "Who's asking for him? Oh, it's you Blanco. What the hell, happened to you? You look like you ate some bad fish."
"Where's Kringle? He said he'd get you guys ready to go on a mission to save the world, starting with the Universe Mall."
"Who does he think he is, Doc Savage? We got but one job a year, and we don't feel like donning those frigging reindeer outfits to go saving the world without time and a half for overtime."
"Listen, Donner," said Gary, "Can't you guys...?"
"That's Donder, dicktard. Why does everybody get that wrong?"
"Sorry, I heard it in a song or something," the detective said. "Can't you guys get into the spirit of the season just a coupla days early, and help us out?"
"What's up?" asked Blitzen, and the others gave him a look that said, Don't involve us in anything too taxing.
"Is this all you lamefaces do all the time, sitting around throwing back the hootch?" Blanco asked. As his color was deepening he felt the whole season was falling away to the dogs.
"How do you think we fuel up for the big night?" Dasher said, and that raised laughter from the rest of the team.
At that, Rudolph came out of the back of the barn, wiping his hands like he'd just come from a restroom. "What's up, fellas?" he asked. "Who're these guys?"
"Ummn, you'd better go wake up the Fat Man," said Blitzen, "Looks like we got another job this year. These guys want us to help 'em save the world."
"Scrotum," shouted Rudolph, who suffered from intermittent Tourette's syndrome, "Balls! Ass! Titties," and his nose began glowing redder than a stop sign at a school crossing. "Waddaya want us to do?"
"Don't you think we should wake up Kris..." Blitzen started to ask.
"Nah, shit! Blueballs! Jack-off! We can handle this, and be back in time for the big giveaway. Damn!" He kept rubbing his hands, but now he looked as if he anticipated big adventure.
"I'm not so sure you understand the nature of..." Gary began.
"Just lay out the plan," Rudolph interrupted, "Christ! Mess! We're more than ready for some action and mayhem. Motherfu..." he stopped, as everyone turned to see Kris Kringle, himself, waddling out from the back while zipping up his fly.
"You guys know who's in charge here. Didn't I tell y'all to wake me when these two arrived? Christ, where would this season be without me?"

---

Now I tag the following:
mkooch
Green Monkey Tales
Bukowki's Basement
Notes from the Überground
The Way It Is

other stories and observations

Trophy at Fictionaut
...anything but love... at Fictionaut
Mack's Kids at Out of Ruins
Qwerty at Six Sentences
Outlook at Six Sentences

Men and Women at Six Sentences
Six Verses Before the Chorus at Six Sentences
Misinterpretation at Pen 10 Scribes

Denver

Memoirist

October '95, I think it was Friday the 13th, we had a cocktail party. Wanted to get both families together. Figured it would be a lark to invite Malachy, who was a personality. If he would come. Nora asked him to bring his brother Frank, a darker light, because she wanted the balance right.

They came and the party was a success. All evening long, Malachy regaled us with personal achievements. Frank quietly impressed with tales of overcoming hardships. He never mentioned he was writing a memoir, only that he was about to retire after many years of teaching.

At one point there was a toast to Nora's mother, who had been hospitable when first Frank the lad, then later Malachy, had returned to America.

I joined in, though this was only a story to me, and I felt inadequate under Malachy's gleam.

The next year, on publication of Frank's book, saw a shift in their status. Suddenly, the quiet one was the star.

Nora and I went to every booksigning and reading within our range.

One evening, I'm sure it was before the Pulitzer, I had to work late. Nora went to Barnes & Noble and saved me a place. When I arrived, they had already closed off the public access. When Frank arrived, I was allowed with a couple of other latecomers to ride down in the elevator with him and his agent. I nodded but there was no sign of recognition. As we exited, someone led him to a table and handed him a glass of wine. I joined Nora and her young cousin Stephen in the seated crowd.

After a sparkling reading, he signed many copies of his book. We straggled until there were only a few people left.

Nora placed a book in front of Frank and asked him to address it to Stephen. The agent spoke up. "Please, no personal requests. Only autographs at this time." I looked around the room. There were only nine people still in attendance.

Nora said, "That was a wonderful reading, Frank. I wish you much success."

He looked up and for a moment it seemed he had trouble connecting the words he had heard with their source.

Then he said, "Nora? Is it little Nora? Jaysus, don't do that to me. You scared me half to death. A voice out of my past."

"I'm sorry," she said. I was holding her elbow and I could feel her tensing.

"How many years has it been?" Frank asked.

It was then that I realized he had crossed over. Twenty minutes earlier the room had been filled with close to two hundred people, and Frank had treated them to bits and pieces of his dark history, opening his soul as it were, and he hadn't seen, I mean really seen, any of the faces in front of him.

Published at Out of Ruins

My story Mack's Kids appears at Michael John Grist's site Out of Ruins, a mixed 'zine of dark fiction stories and Haikyo photography.
I consider this my first published piece because unlike the work at Six Sentences, it is on a site to which I am in no way affiliated. M.J. Grist, thank you for helping me climb out of the dark ages.

Men and Women at Six Sentences

Open publication

Introducing Ethics

Introducing Descartes

Jango Jukebox

Jango Oldies Jukebox

Graffiti

This story has been taken down for an overhaul.

Thanks to all who read and commented. Your kind words and advice have inspired me to rewrite parts, and this piece has been published on Out of Ruins where it fits in nicely.

Thanks again.

World Peace Day

Wouldn't it be great if there were no news items posted anywhere or reported on television about any sort of discrepancy, disagreement, fighting, arguing, or criminal activity? What a boring news program, and what a treat to our overtaxed psyches. I'm keeping my fingers crossed, well, not at the moment while I'm typing, that everyone everywhere takes the theme of the day to heart and tries to help someone somewhere who may need it.

I am a Hoarder

In going through my mail today, I found a notice from A&E Insider News about a show they have called Hoarders. I haven't watched it, and after realizing my own situation, I'm kind of afraid to see myself in one of the episodes.

Reading Wikipedia's take on the situation was enough for me to see and say, yes, I am a bibliomaniac and a digital hoarder, and yes, I am the child of a traditional hoarder.

There is help all over the place including YouTube, but it is hard to admit to oneself that something needs to be done, and the only way to do it, is to get off your duff and take action.

Starting out on the right foot

Sondra Harris, who has been maintaining an online diary called The Ministry of Silly Walks since November 2001, and whom I found out about through Rob McEvily's searching through the archives at his Six Sentences, began the whole thing in exactly the right frame of mind for an unknown blogger. I wish I had approached this with the same sense of deliberation.

Chimera

Volumes where the golden insect crawled fetch glory by the yard, but there is no communication between the ink and the eye, for try as they might, libraries cannot express the depth of what they lack in emotion. Sharp-toothed keys assist the explorer in gaining entry to a world renowned for its emptiness, but there is never any action in the quotidian balance. Read, read, read, they said. However, he was left alone to ponder the fruitlessness of his desperation. Sadly, Hugo observed the declination of reason as three virgins giggled and proceeded to retain their innocence, which, by the way, was neither innocent nor retainable. They must have known what was on offer without the experience, he calculated, for there was guile in their laughter. One of them, she of the radiant halo, dipped and scooped up the golden spider leaving only its latest unreadable tome in a web of silky verbosity. Virgin or muse, he could not tell. Still, he was news once again without the slightest perception of validation. Everything he touched glowed and shimmered in an ephemeral way. Yet, he never doubted all was at their behest.

Popping, he shriveled almost immediately and shortly thereafter he noticed he was losing hair again and there were liver spots.

…those who can’t, teach.

IT'S ALWAYS US VERSUS THEM. I used to be in the Us camp. You used to be also. We all were. And when we were crossing the bridge to the other side, to this side, we all looked for confirmation that we were making the right decisions; as if decision making had anything to do with the ineluctable crossing.

   When it comes to observation, I’d guess about ninety percent of the literature takes place on the bridge, and they call them Coming of Age or Rite of Passage stories.

   We spend a good number of years complaining how They don’t understand Us and our needs, and dealing with peer pressure. Then there’s a short interval, though for some the experience lasts longer, where all the road signs seem to have been removed. Afterwards, we spend the rest of our lives as Them trying to convince Us, because we still feel like Us inside, that things are not as bad as predicated.

   Stories that show children or older minors acting in sinister, or comedic, adult fashion are always popular, while tales of adults doing what is expected of children are just sad or melancholic. When a male author, like Joyce, writes understandingly from the point of view of a female, he is lauded for artistic achievement; conversely, when a woman writes as a man, it is observed that women have always had that capability. It’s a similar situation between youth and adulthood. A very young author who writes well about adult concerns will be applauded for his or her insight whereas blurbs on the books about childhood written by adults frequently begin with the words, “Never before has a story…” blah, blah, blah. Successes in this area seem to come rarely. They are so few and far between that a Catcher in the Rye or A High Wind in Jamaica can last forever, although again, Catcher takes place on the bridge.

   I’m venting because I wrote what I thought was a sharp little six-sentence “story” that described a teenager’s blasé attitude toward her pregnancy (from the point of view of her teacher) and someone in my peer group reviewed thusly, “I think the flash would evoke more feeling if [it] was from the POV of another student, rather than the teacher. Kids have a much more startled/jaded/sneering take on this stuff than adults.” And I’m thinking, “Ah, but if it was told from the point of view of one of the kids, then it wouldn’t be the story I intended to write.” I was attempting to note observation of one of Us prematurely acting out as one of Them through the eyes of one in Their camp. How and why would I observe one of Us from Our side? My peer also made mention of a so-called run-on sentence, which definably wasn’t – due to grammatical punctuation, but here I am at fault because I did not announce the pre-established conventions of the format. It could be I’m too thin-skinned, or perhaps I was attempting to evoke too much in a limited space, but damn me, I was trying.

   Here is the point of my rant, I spend too much time every day with young people, observing their foibles, failures, and successes; I don’t share enough in the lives of my peers. As a writer, I observe, analyze, and reconstruct what I see. I see the young, who are not writing their own stories, and use this as grist for my fiction, when more than likely, and speaking from an ethical point of view, I should be getting inspiration from a level on par with my current experience. Although, I still stand behind the excuse, that I was once a kid too, you know, I guess it’s not passable. These thoughts, this self-recrimination, can lead to writer’s block, which further leads to the posing of the deadly question, “Hey, why write at all?” I keep falling back on my motto, “It’s a dirty business, but someone has to do it.” I can, to a degree, therefore I do.

Puppet

Susana owns a pesto green Volkswagen. I don’t drive. I didn’t when we lived in New York. She always has. Although I take a bus home from work every day, in the evenings, she says she doesn’t want me taking the bus in the morning too because the school is on the other side of town and I would have to leave an hour earlier to get there on time. So I keep the car in gas and she drives me there every day. We argue every morning because I’m responsible for disturbing her sleep. She’s currently between jobs. Twice when I left early and let her sleep in, she was in a grouchy mood all afternoon, so though I suffer guilt and exchange words in the car, I’d rather continue the ritual. The evenings are better that way. This morning after I said I hoped she’d find work soon, she glared at me. When she dropped me off she drove away in silence.

Here in Chiapas the fifteenth and end of the month are quinceanas, paydays. This autumn semester is the toughest of the six I’ve taught at the Tec. I teach four Advanced English classes five times a week. It’s not the hours performing in front of exuberant teenagers that I find so wearing. It’s all the prep work at night and on the weekends, and the bitacoras and other paperwork. Susy and I don’t get much quality time together, but when I get paid we have a nice dinner out, maybe go to a movie, see some friends for drinks and usually have a more intimate night.

Of course I enjoy those nights but I’m not keen on the social evenings beforehand. All of the friends we spend time with speak Spanish and Susy’s so much better at making conversation than I; being half Mexican she would be. She especially likes getting together with Valentina and Raul. Valentina’s a doll, really pleasant, always smiling. Raul’s a snob. He was educated in Texas and can speak English as well as I can, but he never does anymore. He says I need the practice. The three of them talk while I listen, nodding at appropriate moments and occasionally saying, “Gracias,” to waiters.

Today was a quinceana and I was looking forward to a night of heat and passion, such as I can muster these days. Susy’s also better at that. Not working, she would be, but that’s beside the point. I took the bus to Plaza Crystal, figuring I’d pick something up for her at the mall to make things right. At one of the gift shops I found a harlequin puppet in a costume of black and white diamond shapes, with one black tear painted below his left eye. I know she loves that sort of thing.

When I arrived at the house she wasn’t home and the VW wasn’t parked in front. Once inside, I turned on the fan and propped Pierrot against the fruitbowl on the table, made a cup of coffee and smoked a couple of cigarettes. And waited. I reread the next units in my texts and graded thirty-four exams. Three hours later, there was still no word from her. It was unlike her to leave me wondering where she was.

At eight-thirty, Valentina called and asked if we were meeting them at Es-tres. I said I didn’t know yet but didn’t mention that I was alone. “Well, if you decide, give me a ring,” she said, “Raul asked me to call him on his cellphone, if we were going to get together tonight.”

“Oh, he’s not there?” I asked.

“No, he went to San Cristobal today but he’s due back in a while. He said he’d try and get back earlier if something was on.”

After finishing with Val, I noticed I’d smoked my last cigarette, so I headed up to the tienda for another pack. Before I left, I stuffed Peirrot behind some empty luggage in the bedroom closet upstairs. In case, Susy came in while I was out, I didn’t want the puppet to speak for me and say the wrong thing.

I was gone much longer than I’d expected as the store’s security guard, who likes to practice his English on me, caught my ear and then I met a neighbor who tried to convince me that I should contribute more than fifty pesos to the fund she was collecting for her sick tia.

As I entered the house, I saw the harlequin right away. He was back on the table. He was propped against the fruitbowl again, but this time with his head drooping in a sad looking way. Between his legs was a small piece of paper. I read the note.

She’d written, “No llores. It’s been fun. I finally found something. –S”

Six Verses Before the Chorus at Six Sentences

Open publication

San Francisco

The What-If Factor

Ineradicable cobwebs fill the corners of my life.
The ghosts of things that might have been haunt me though they haven't.

In my dream, we said some terrible things -
No, I take that back,
I said some awful things to you -
Hate-filled words, untake-backable words,
And left you in confusion
Wondering what you'd done.

Then I walked through fire -
Returning to a past which had not, could not happen.

I took the consolation you deserved for myself,
In the arms of someone who no longer was there.
After thinking how good it felt, I realized it could not last.
It was a chimera.

I saw clearly I'd given away the present for a past I could not reclaim
And thus, my future was obliterated.

When you woke me and you were still real,
For a brief moment there was relief,
But then I noticed cobwebs
Constructed of motes of sadness
And felt the heat of the coming fire.

Somewhere in this there's a formula for figuring probability.
Somewhere there's a path to get to the average mean.
There's the murk of the future and the bottleneck of the recent past
And glorious worlds at either end,
But I'm stuck in between.

Some books from my library

The Sequel

Russell Crowe, walking on deck, meets a woman dressed in the flouncy skirts of Colonial times. He too is dressed in a costume of the past, the outfit he wore in Master and Commander which took place during the Napoleonic Wars and had nothing to do with Colonial America. It suddenly dawns on him he must be in a sequel to that film, or Hollywood’s version of a sequel, which doesn’t always adhere to the conceits of the original story.

A consummate actor up to any challenge, he steps into character and asks the woman, whom he does not recognize, but nonetheless admires for her lack of artifice, if he may help her in any way. She responds in the negative, thanks him for the uneventful crossing, and says she did not experience the mal de mer customary on long voyages. Russell tips his tricorner, says, “At your service, ma’am,” and walks aft. A moment later he recalls there were no women on board in the first film, but figures it will make a nice piece of acting if he turns to quietly survey this attractive female. However, when he pivots, she is nowhere to be seen. There is only the empty deck.

Perhaps she was a mirage, the scriptwriter’s way of letting the audience know although the ship is filled with solitary males, at least the captain still has manly desires. If that’s what it was, Russell applauds the unobtrusive effect.

His reverie is disturbed by the voice of a deckhand coming from one of the portals. It is Chris Rock who says without humor, “Captain, New York is in sight. Shall we prepare to dock and go ashore?”

“Eh?” he responds, thinking that like several comedians before him, Rock must have taken a serious role like this to get his shot at a supporting Oscar. “Why certainly.”

Chris makes a gesture at tipping his hat while saying, “Yes sir,” but bareheaded, his action only parallels Russell’s of a few minutes earlier.

Nice comic touch, he thinks. Everything cyclical but subtle.

Soon all the men are on deck but the focus is on Russell behind the man steering. Through his eyes we see the low skyline of Olde New York coming into view. Though impressively reconstructed, he’s thinking, this is not how the story goes. He cannot remember how the script develops, and doesn’t recall this scene from the O’Brian books, but not wanting to appear difficult or incompetent, he remains in character and displays a look he hopes expresses longing, or better – knowing anticipation.

Blunt cut to the men disembarking. Many are meandering off to discover the place, but a carriage is waiting for Russell and his firstmate, who has no lines. Maturin is not around, must have gone to research the flora and fauna. Chris Rock puts the captain’s things on top of the carriage along with a little bundle which is his own then climbs up to sit next to the driver. He glances back to see the leather bags and his little red kerchief-tied bundle. These things make their own statement through juxtaposition.

Our attention is soon diverted by the authenticity of the town, appearing more real than Scorcese’s Gangs of New York but oddly, though not disconcertingly, anachronistic for the time period we thought we were in. This is New York of perhaps 1870. Playing fast and loose with history, the designers have gone through great pains to make everything look authentic albeit for another story.

The carriage approaches a square. Chris notices a statue he assumes to be a pilgrim and remembers in the present day a statue of George Washington stands there. “Oh my, will you look at that,” he says aloud. However, as the carriage rounds the statue it disappears so only the plinth remains visible, as if the carriage’s movement has brought everyone a little further back in time before there was a monument to either.

The streets of the town are festooned for a coming or recent celebration. There are garlands of flowers strung from building to building. But people in top hats and tails are going about their work as if festivity were the furthest thing from their minds. In a window of one of the wooden buildings we see the face of the woman Russell had met on the ship. She looks sad. The hint of a smile as she eyes the passing carriage tells us she is hoping for release from a desperate situation. These men from elsewhere may be her salvation.

Inside the carriage we see Russell, the face of stoicism. He’s hoping someone will arrive to cue him on his next lines. It is strange indeed no one has called, “Cut,” in a long time, but grown weary of being known as difficult he will not be the one to break the mood.

Cut to the interior of an old building. Chris and a friend, whom we hadn’t seen before, are waiting outside an office where the captain has gone to speak to someone. On the door is a placard with the name B. Luhrman.

Chris says to his friend, “I think this other door leads to the roof. I’m going to see how the place looks from above.”

The other man says, “Better be careful not to change anything. You know how altering the past can affect the future.”

Chris looks at him as if to ask, “What are you talking about?” then shrugs and proceeds through the door.

Alone in the hallway, the man fidgets and paces. Now is when the viewer begins to question the sanity of everyone involved in this piece. We, like him, feel on the outside of knowing. If things are to proceed any further, an explanation has to come from someone, before the fourth wall fully materializes

At that moment, Russell comes out of the office. “Where is he?” he asks.

“Sir,” the man sputters, “Captain, sir, he went through that door to have a look from the roof.”

“Oh my god! He shouldn’t have..”

“I told him, sir, to be careful. I told him he could affect history. I said…”

“Stop gibbering, man. That’s not the problem,” Russell says, “We haven’t gone back in time.”

“Sir?”

“It’s just been made clear to me we’re in a sequel occurring in an alternate universe. I don’t think there’s any way out.”

Suddenly, Luhrman announces from behind his door, “That’s right captain and remember my advice regarding sunscreen,” followed by the voice of a castrato singing something unfathomable offstage.

TecIngles Issue No. 13

09/08/08 TEC Ingles Issue 13   featuring the work of teachers and students for whom English is a second language.

The Hunger of History

The world you see so much before you
Did not dare exist in the Golden Age
For History had no dearth of tales of courage then
With which to fill its page.

Admittingly, its appetite for observation was capped
With the jottings of nefarious doings
But only for variety,
For the heart of its meal was valor.
Now with grimy bib exposed and ravenously rapt,
Its diet consists of ruings.
The joint’s picked clean of heroics
And the scraps can’t improve its pallor.

Emaciated and untrustworthy,
As those short on sustenance are,
It yet provides the grim fascination
Of a once-full gleaming jar –
To wonder what it might be fed
And mourn for its lacking – that is our fate today
As it sits, banging forks on the table
Now the Heroes have all gone away.

Wicked

Axel Fenn had positioned his bony posterior on the last stool in the corner of The Queen’s Ear over three hours earlier and only now heard Perfidia emanating from the jukebox. It must be someone’s favorite song, he thought, as he realized it must have played at least six times. The repetitious melody had been the backdrop to Jacqueline’s accusation which looped itself over and over like lyrics to the tune in his mind.

“You wicked toe rag,” she had taunted. “If not for me, you would still be in your shell—living in that dingy little flat. How could you have done this to me?”

She had a right to ask the question. He would still have to see Felicity every day at the office, but he felt neither wicked, nor lately shy, and had forgotten how unforthcoming he used to be. Was it only eighteen months since he and Jackie had met at the Bromptons and shared a taxi, originally headed toward two destinations, but ineluctably winding up at her place? Throughout the ride he had stared at her slender fingers. The one bugaboo he had developed during those months was the proximity of her toothbrush and the occasional sight of a reddened tampon in the waste bin of her loo. He’d never been a swinger. He usually arrived home early though they rarely did anything more than watch the telly in the evenings. Over time she had put on a little weight and he had lost a stone. And though certain situations might have left him mortified in another life, he could now suffer a canard with the best of them. Perhaps it was true that Jacqueline had prompted his flowering. In that way, she was partly responsible for his susceptibility to Felicity’s charm.

He thought he had been discreet, but it was a bitter pill to discover his transparency.

When her nagging started to wear away the veneer of his docility, he prepared to leave. Really he just wanted to get some air, to think things over, accept his guilt, prepare a proper apology, et cetera, et cetera. As he stood looking sheepish at the door, she said, “Your fly is open.”

He wouldn’t deign to look until he was out in the hall. She had been right.

He walked aimlessly for half an hour. Then, feeling dry, he stopped into The Queen’s Ear. Ale after ale convinced him he could not go back to her place. She would never accept whatever apology he could come up with. His seventh would be the last. He would go back to his own flat for the weekend.

Helen Forrest sang once again, “Your eyes are echoing Perfidia. Forgetful of our promise of love…”

Axel, tipsy, quaffed the last ale and left the pub. He was thinking of possible reasons for Felicity’s dismissal as he walked toward Victoria Station. But she was an excellent accountant and more than likely old Brompton wouldn’t hear of it.

He was on Jacqueline’s street before he realized he had headed away from the direction of his flat. He felt so tired now. He recalled the tomblike shelter of it, but it was so far away.

As he lifted the brass knocker, he wondered if she’d still be awake.

Empty

Kathia sat at the dining room table. Just sat, looking at the morning paper on the floor and the empty chair across from her. She would have to make a move soon. The hospital had called over an hour ago to tell her David had passed away. On the one hand, she was relieved it was over. She would not have to face a future filled with betrayal and doubt, but on the other, she already missed him.

Phone calls had been made already. His sister in Phoenix knew. His brother would be told as soon as they could locate him. Freddy was next door with Sally. She would take care of him for the afternoon. He had already asked Kathia more than once if Daddy wouldn’t be coming home. Sometimes seven-year-olds couldn’t articulate their feelings but they could perceive when things were not right. David had been in the hospital for six weeks.

Six long weeks, during which Kathia had gone through torment wondering what came next in a situation like this. She knew there was no going back, but it didn’t seem there was any going forward either.

The day he had had the heart attack she’d been out of her mind. When she’d found the pictures on his computer, at first, she was afraid. She was looking into the mind of someone she’d lived with for so long but had never really known. It seemed like hundreds of files – all without descriptive names but numbered sequentially. All of young boys engaged in sex acts.

David had done a paper on Internet pornography for the school, but that was two years ago! He couldn’t explain it as research material – not the way the files were so carefully disguised with numbers and stored in a misleadingly named folder. She was scared.

Then she was angry when she thought of Freddy upstairs.

In the murk of her reactions, she recalled how David had asked her to cut her hair very short in a boyish way and how their sex life had improved a bit. He was taking Viagra – he claimed. But it didn’t last very long.

Then he came home unexpectedly early and found her in the den.

“What’s up?” he asked, all innocence.

She glared into his eyes and said nothing.

The screen saver was playing the melody of the theme from Friends. He glanced at the computer and then looked back at her. “I’m sorry,” he said.

“How could you?” she asked, “What is wrong with you? You have a child of your own. What if someone had pictures of Freddy like that?”

“That will never happen. I don’t know why, I…” but before he could finish, she picked up a paperweight and threw it at him. It missed and shattered against the wall.

She ran past him, shoving him as she did, and he fell in front of a chair. She was all anger and confusion as she raced into the kitchen. Once there, she quickly surveyed her options and then took a large knife from the drainboard.

When he followed her and with outstretched arms, tried to say something, his words were more excuse than explanation.

She held the knife threateningly and said through her tears, “If you ever touch Freddy, in any way…”

It was then that David clutched his chest and fell to the floor.


She’d only visited him once a week. The difference in their ages had never seemed so vast until the fourth week when she realized he wasn’t going to recover. At fifty-six, he looked like a man of seventy. The enormity of her anger had dissipated on seeing him like that and confusion had filled the space. She knew only that she could never sleep next to him again. She would never kiss him again while he was conscious, and what she felt most acutely was that there would be no vindication. He was escaping retribution. She never told him that she had formatted the hard drive, blindly wiping out all his work, and hers, everything.


At the table, she realized she had probably sentenced him to self-annihilation with the hatred in her eyes that day in the kitchen. A thought crossed her mind. She couldn’t remember now what she’d been searching for when she discovered the pictures.

Something I Heard Before

I listened to the stirring of leaves in the wind
Awaiting the rest to which they'd come,
But didn't.
In a season of wandering I was aware there'd be but one
Movement and it was all movement, mostly for show.
Stillness would reveal weakness
I wanted nobody to see.

Some said, There's no time limit to your grief.
Some said, This will pass, but never really pass,
You will learn to accept the reality of it.
Some said, You are so strong.
I wasn't.

I listened to the wind and knew or thought or hoped
When it calmed, my heart would beat a little faster
And I would smile again,
Not to belie my emotions, not
To stop friends from saying the right thing,
Not because I am supposed to
Develop and change and continue solo,

But because something I heard in another time
Took its hold in memory until movement
Dispelled it. I felt hairs stand; a chill
– not icy death – but refreshing awareness.
I heard peals of laughter.
Sadness became someone else's burden
– and I no longer heard the wind,
Only something I had heard before.

Untied

Roy told me on the one day that we were alone and shopping in New Jersey malls for luggage to replace my tattered bag for my return trip and to fit all the books and movies I’m taking back with me, “Artie has no reason to make a move now. He’s got a good deal paying only nine hundred dollars for the use of the whole house.” So back at my apartment when Adrienne is talking loudly on the phone with her sister Felicia, and trying to calm Felicia, who is apparently ranting again about how her ex-husband Charlie is such a shit because he won’t come up with his quarter of the mortgage, I don’t feel her distress.
Roy says to me in a low voice, “Never, ever get involved financially with family.”
Tears are welling in Adrienne’s eyes and I’d like to sympathize, but either my brother or she has already explained to me that Felicia was having her mental problems when the four of them went in together on the house. It was a bad deal from the outset. Charlie soon grew tired of Felicia’s seemingly convenient seizures and walked away from her and the two kids. When she left the house, she rented her half to tenants at a profit which she shared with nobody, but since they have left her extra income has evaporated. Adrienne separated from Artie when she took up again with Roy after twenty-four years apart. She moved in with Roy who has been living in my apartment while I teach in Mexico. Artie is the only person still living in the house in Staten Island.
Now, trying to sell the house is presenting difficulty. And I had to pick this week for a visit home while Adrienne is going through PMS.
They have adopted an affectionate pitbull called Babette, who licks my face every morning at six-thirty. I always had a cat for a pet. I’ve never been a dog person. Babette’s wake-up call doesn’t bother me too much because I don’t enjoy sleeping on my couch. I get up earlier than I have to when I’m going to school, and the arguing begins early each day.
She doesn’t trust him because he has always flirted with other women. She makes innuendos that he has more free time at work than he lets on. She says he is never available when she calls. He says it is a park ranger’s duty to be out in the field a lot.
He doesn’t like her having three hour liquid lunches with her boss and clients. She says it’s one of the things an insurance broker has to do.
Each of them makes twice as much as I have ever earned in a year – teaching or working in an office when I lived in Manhattan. I only maintain the apartment in my name as a storage place for all my stuff. I pay a small portion of the rent to keep all my books and belongings behind all the things they have moved in.
As Roy leaves earlier for work than Adrienne does everyday, I have gotten to spend some time alone with her and she tells me how she can’t take the pressure anymore. She keeps a bag packed so that at any moment she might decide to leave. Roy’s three marriages ended when he left each wife. Adrienne says, “I’m not going to be Number Four. If anyone leaves this time, it will be me, and I can take care of myself. I wouldn’t suck Roy dry for alimony like the last one.”
When I point out that that she is not Number Four but actually Number One, she says, “You know, I never really thought of it that way.”
“Well, you should,” I point out, “Why do you think all those marriages failed? Who do you think he always talked to me about when they started to sour?”
On my next to last day in New York, I have the apartment to myself. They are both at work and Babette is in Doggie Daycare. I watch old videotapes of my vacations with Jason and I’m well aware of the urn containing his ashes on the bookcase filled with the volumes of his stamp collection, but I can’t feel his presence in the place anymore. My new luggage is already packed and ready to go. The old black bag with the broken zipper stands empty in a corner. Lying on top of it is the blouse that Adrienne decided not to wear to work. I think of how many places that black bag has been and how it helped me begin the second half of my life.

Graduation Day

After seven months, we finally completed our course in Teacher Training. Looking forward to sleeping a little later next Saturday.

And now we begin Semana Santa;
almost a whole week of no work, no
studying. Well, I'm pretty sure I will
be sitting in front of a computer
screen for part of this week.

Next project: working on my Spanish
and getting my naturalization papers.

Semester

Days and days of endless days –
Nobody breathes. Nobody sways.
In one ear and out the door –
They’ve had so much. They want no more.

The driest lessons die in rehearsal,
Without dynamics for dispersal.

Teacher, teacher, how do you say…?
As if in the end there were only one way.

Those who’ve traveled play on the edge;
Those who haven’t cadge and hedge.
Please, please, por favor, they beg.
You could spit wooden nickels and stand on one leg.

Often I wonder just what I would give
To come out on top but it’s all relative.

At the end of term, when work is done,
It’s the end of time. The course is run.

Actividades released with a sigh;
Reglas observed with the wink of an eye.
It’s cyclical, circular, goes round and round.
It ends and begins without a clear sound.

There’s a point at mid-term, however, that’s fine
When for one afternoon I know this is mine.

All that comes later and what went before
Just grind the key which opens that door.

The Setting Sun

Tom Cruise is visiting his parents who have recently embarked on a stay at an exclusive Upper East Side town house type nursing home. They are showing him its features and vast layout. It’s almost time for dinner.

They introduce him to some of their kooky new friends, moneyed people who dress oddly and behave a bit bizarre.

He starts to wonder if he could feel secure with himself leaving his parents here. Although the place appears sumptuous, Tom doesn’t think his parents are near as ‘gone’ as he sees the other ‘inmates’.

Taking a cigarette break outside, he meets Jennifer Jason Leigh, who has come to visit her parents. They are attracted to each other but she makes a snide remark about his jacket, says her father has one just like it. She enters the house and he soon follows, only to be waylaid by the snooty director, who says she hopes he is not planning to wear his jeans into the dining room. Tom flashes back on an ancient gentleman he saw wearing jeans and a woman who was wearing a denim skirt, but the director explains that that was Mr and Mrs Dennehy and says they have a special dispensation. She hints that dressing that way has improved their sex life. Sex life, Tom thinks, why they were likely in their eighties!

Afterward, Tom is in a pair of brown pants and is being shown a medallion by one of the inmates, who drops it and it rolls under a buffet table. The old man immediately drops to his knees and crawls under the table to look for it. As Tom gets down to help him, fearing the old codger might hurt himself, he notices the man is wearing green socks, one lighter than the other. Someone has dropped a dollop of mousse, which the old guy somehow avoids, but Tom, forging ahead, gets it all over his pants. However, he does retrieve the medallion.

Seeing his clothes soiled, Tom is upset and sees it as the fault of the establishment. After all, in such a ritzy place, why didn’t someone clean up the mousse?

The tailor/valet, Charlton Heston, steps forward and offers to take care of Tom’s pants. He says he has a pair that will look better. They just need a nip and a tuck. He also suggests lending a jacket which is not quite so out of fashion.

In fitting Tom for the pants, it becomes obvious by the tailor’s movements and touches that he is an old queen, albeit a nice person with wisdom, who explains obliquely why the place works – how it fulfills the needs of its inmates, who have arrived at a place in their lives, where, to stay in an average standard nursing home would seem like defeat. This place is voluntary and basically designed by the inmates themselves. “They’re happy here,” he says in a sad sort of way.

Later, Tom and Charlton are taking a cigarette break together and Jennifer passes again. This time she is all sweetness, having visited her parents and seen that they were comfortable and happy.

“I like your jacket,” she says.

“My father lent me the other,” he says, “And he told me he bought it from a friend. You know, I think it might have been your father’s originally.”

“They try so hard,” they both say at the same time.

A woman about to come up the steps of the brownstone, and seeing old Charlton with the two younger people, asks if there are any vacancies in the place. She seems like the wrong type of client, the type that would abandon an ailing parent.

“You’ll have to check later. They’re all sun-bathing at the moment,” Charlton says.

The woman glances up at the setting sun, steals a look at her watch, and in a huff, walks away.

Relax and revisit a favorite book

Sometimes you don't have the time to revisit favorite books in which you found refuge from the workaday world, and a nicely worded summary/review helps take you back there for a few moments.

Found a wonderful blog called Book Addicts that does just that. This blogger has read many of my favorites including Barbara Pym, Elizabeth Taylor, David Lodge, and Muriel Spark, and the blog provides brief insight into many of their novels and the works of others, British, American, and from elsewhere.

I love this blog and recommend it highly.

A Moody Trip

Love Misplaced

Auburn hair, casually tossed, playing with fire
She doesn't know how dangerous she is
Or perhaps she does.
Long, but not too long, red fingernails
Tattoo her intentions on the side of her glass
The amber colored liquid might be all that's left
Of her previous victims
Or it might just be sweet courage.

Wasn't I in love when I walked in here?
Was I not just out to get some cooling air?
Did I not intend to set things right this evening?
Could I not defend myself 'gainst curly auburn hair?

She says her name is Tess
I think of Thomas Hardy
Who gave up writing prose when things got rough
I also think of someone waiting for me
To return although she said she'd had enough
Is what I'm feeling now misplaced desire?
Enchantment, lust, or could I be in love?

For her, it seems inconsequential as she tosses back
Those tresses once more and catches
A glimpse of herself in the mirror behind the bar.
Yes, she knows she has the power
Yes, she'd like to claim another conquest
Yes, I'd like to...
No, I can't. There's someone waiting for me,
But I copy down her number just in case.

I walk home alone with firm resolve
And find her sleeping on the couch
This is not the first time this has happened
We always have been able to move on
But not tonight.
There was something in the air this evening
That blew away the options of repairing
Something that was always here
Is gone.

In a Broken Mirror

In shards I see other days,
And then a time of trenchant smiles.
You backed away with graceful gestures
Leaving only these milestones,
Like puzzle pieces.

I will not replace, cannot replace
The shattered mirror
Containing reflections of the past
I cannot, will not otherwise
See, nor touch, nor hear or
Hold.

All lines leading to the point of impact
Just as the currents derive from a single source
Pressing on
Belying the undertow.
Yet, I enter the water.
I cannot deny, will not deny myself
The pleasure of wading
Through our history together.

The glass is broken.
The frame is solid
A very good wood,
It's a matter of containment.
This is unfinished business.

I stand very close to be able to see
Between the lines
The texture of my cheek while shaving and
Behind me it seems something shadowy moves
I turn to catch sight of it before it is gone
But it was never there.

In the broken mirror my many eyes reprimand me
I would apologize
Admit you were right and I not
If I thought it would unbreak the glass.

Wife and Spouse Read NY Times

"When I ask you why you don't try to be more sociable, you ask me, 'Why bother? Everyone out there is the same. It's like a city of clones. Nobody is more interesting than anyone else.' But then you say you really would like to make new friends and no one ever seems responsive. Well, don't you think if everyone is equal there must be others out there who feel as you do? Someone may be hoping you would respond to an overture, but they also may be reluctant to make it."
"That's the real crux, I guess, fear of rejection, more than anything else. If I could do it over again..."
"For the want of a predetermined answer a friendship may be lost?"
"Well?"
"Well, what?"
"How do you go about making friends?"
"I don't know. They seem to come to me."
"Hey, where does this fit in? 'The difference between Van Gogh and you and me is, that while we may look at the sky and think it is beautiful, we don't go so far as to show someone else how it looks. One reason may be that we do not care enough about the sky or for other people. But most often I think it is because we have been discouraged into thinking what we think about the sky is not important.' "
"What was that?"
"It comes a little later in the article."
"I thought he was speaking about how children in the third world haven't enough to eat."
"Shall I tell you about my childhood? Did I ever tell you the story of the broken macaroni for twelve cents a pound?"
"Shall I tell you again about cooking spaghetti in an electric coffeepot when I lived in my little room on the upper-Westside?"
"If I could do it over again..."
"Please, don't start with that old alternative reasoning."
"You wouldn't like to take a second shot? Maybe not have to survive lean days?"
"I would then have even less understanding for those without than I do at this point and believe me when I tell you I am not big-hearted. I laughed as loudly as you did when that comedian shouted, 'Move to where the food is!' "
"It was a stock response. All his other material was funny."
"I think experiences like cooking spaghetti in a an electric coffeepot are bizarre enough to put one metaphorically into another man's moccasins."
"Still, if I could do it over again..."
"You'd just fuck up something else further down the line."
"How can you say that?"
"There's always irony involved in those time travel stories."
"Oh, I was thinking of it more in terms of a done deal."
"What's the point? If you could do it all over, you would have to live through it again wouldn’t you? You can't do it over without doing it."
"Oh, I see what you mean. In that case, I guess I'll just take what fate has dealt me."
"Now about those children in the third world who haven't had the beauty of the sky pointed out to them. You know, if you were to offer your services, you could make a lot of friends."
"But you know what they say about friends in need."
"Right. Let me see that TV guide. Are there any good movies on?"
"There’s a good World War Two flick on at two-thirty. How about some Eggs Benedict for a late breakfast?"
"You prepare the hollandaise? I had in mind a romance or a comedy. Perfect for a Sunday afternoon."

San Cristobal